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Bertinoro, Italy

Thermal town between rationalism and Roman inspiration

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Castrocaro, Italy

Illusory beauty

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Cesenatico, Italy

Town of holiday camps

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Dimitrovgrad, Bulgaria

Between modernism and Stalinist architecture

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Forlì, Italy

Showcase of modernity – a story of contradictions

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Forlimpopoli, Italy

Urban regeneration

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Iasi, Romania

Modern and ancient, side by side

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Labin, Croatia

Industrial mining town in transformation

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Predappio, Italy

From pilgrim destination to site of critical reflection

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Rasa, Croatia

Between Istrian tradition and modern architecture

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Sofia, Bulgaria

Architectural landmarks from two different periods

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Torviscosa, Italy

Town of autarchy and cellulose

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Tresigallo, Italy

Planned town dedicated to agricultural industry

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Traces of two regimes

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Tirana, Albania

A mosaic of architectural styles

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Ferrara, Italy

Rationalist traces in a Renaissance city


Rationalist traces in a Renaissance city

Ferrara, Italy

During the 1930s, the medieval and Renaissance city of Ferrara witnessed the construction of new streets and buildings in a rationalist style under the Fascist regime. This “revolution” of the urban structure was a way of displaying the presence and power of the regime.

Osmosis of tradition and modernism

Between 1932 and 1939, close to the Castello Estense, “prestigious” buildings in a rationalist style were built: a primary school, now named "Alda Costa", the Museum of Natural History, the music school (today the G. Frescobaldi State Conservatory), and the Dopolavoro Provinciale Fascista, the Fascist community centre (today the Cinema Boldini). The engineer Carlo Savonuzzi constructed these buildings in harmony with the existing urban context, creating a kind of osmosis between the traditional Ferrarese style and European modernism. Most of the buildings are in traditional red brick, in contrast with the cornices and pedestals which are in natural stone or reinforced concrete.

The metaphysical Palazzo dell’Aeronautica

The Palazzo dell’Aeronautica (former military hospital) is considered a masterpiece of 20th century architecture. It was designed by the engineer Giorgio Gandini and built under the direction of Carlo Savonuzzi between 1935 and 1937. The building is elegantly shaped and is in traditional red brick with some marble features. The focal point is the main entrance, located on the corner of two streets. Its semi-circular body, a large vertical arched window and two stone spheres give the building a somewhat metaphysical aspect.